SDFX Studios expands on its extensive background using VFX techniques for Stereoscopic 3D work to offer a full complement of digital VFX services for feature film, streaming, and episodic TV work.
With industry leading VFX supervisors, 2D and 3D artists located throughout the world, highly experienced production and engineering teams, SDFX Studios provides top quality work with the efficiency that meets or exceeds expectations.
SDFX Studios customizes its approach to the specific needs of every client. SDFX Studios has fulfilled the needs of projects seeking a package of shots, from concept and look-dev to pre-viz and post-viz to full-on CG, rendering and compositing.
The company, with its global infrastructure of talent and its unique pipeline, is also perfectly positioned to team with other VFX houses, taking on the role of secondary vendor. With its ability to quickly scale, SDFX Studios partners with other effects companies to offer rapid response and step in to handle overflow work, whether that involves massive amounts of roto, cleanup and wire-removal or complete creation of complex CG shots.
Stereo D (now SDFX Studios) and Marvel Studios have been partners for over a decade. They are a trusted partner of ours, and we are excited to continue collaborating with their talented team in their next chapter as SDFX Studios.” – Danielle Costa, VP of Visual Effects at Marvel Studios
SDFX has a highly-skilled, scalable, and global team of artists with the expertise to isolate portions of imagery and remove them when unwanted (wires, background walls, microphones, etc.) or preserve elements for inclusion as part of a larger VFX shot or comp.
We offer tremendous efficiency and quality work, whether SDFX Studios is subsequently taking the VFX shots to completion or we’re handing them off to be finished elsewhere. High volume and quick turnaround required? We can handle it!
Tracking movement in 2D or 3D space can be an arduous and complex task, especially with a high volume of elaborate shots. SDFX Studios has a highly-efficient global team of skilled artists who will quickly find the best toolset and most exacting approach for the unique requirements of every shot.
Whether we’re creating tracking data to hand off to our VFX and compositing artists or forward it to other vendors, we’ll turn it around at the speed you need.
Compositing is in SDFX Studios’ DNA. From our earliest days as StereoD, we’ve employed teams of skilled artists devoted to combining shot elements into different formations to create a left and right“eye” for 2D material. As we’ve expanded into VFX work, we’ve also enhanced our teams of creative compositors, able to take on even the most complex compositing tasks.
Our global team of compositors are highly efficient in a variety of tools (both for 2D and 3D work), and all have the artistic eye and sensibility to flawlessly finesse the finest details involved in seamlessly blending multiple elements, from live-action photography to matte paintings to the integration of CG characters and objects.
Marvel Studios
The two-episode premiere of The Acolyte, a Star Wars Original series, arrives June 4 on Disney+.
VFX | SDFX Studios
Roto Supervisor | Sushil Iranna Kalyanshetty
Paint Supervisor | Sanjay Ramraj Singh
Executive Producer VFX | Mark Simone
VFX Producer = Melissa Espina
Studio | LucasFilm / Disney+
Audiences who head out to the newest adventures of Star-Lord, Rocket, Groot, and the rest of the Guardians in stereoscopic 3D know they can count on an enhanced experience. And one aspect that differentiates the 3D version of the Guardians of the Galaxy experience comes from the way outer space is presented. “That vastness can be expressed in 3D in a way it never could be in 2D,” says Lead Stereographer Jason Bomstein of SDFX Studios, which has collaborated with Marvel Studios to deliver the 3D versions of all the Guardians movies.
In a particular section in the James Gunn-directed Guardians of the Galaxy Vol.3, several characters jump from their ship to the region where Orgocorp is headquartered. Surrounding them is the pus-like substance which is part of the location’s atmosphere, bubbling and floating around them. Besides the 3D characteristics that enhances the sense of this gooey substance surrounding everybody, Bomstein explains, “we’re also introducing additional depth to really help push the feeling that space, which is the backdrop of the scene, is a lot vaster than could be represented in 2D. We can push the space very far back, making the distance actually seem more pronounced than it would even if the viewer really was there in that situation. That’s really fun!”
The SDFX Studios teams faced a challenge working on an almost two-minute scene of along a hallway which was the scene of a major fight among numerous characters. Presented as a single take with the camera constantly moving to capture key action moments, the shot was actually comprised of three different shots stitched together. “It’s a really cool scene,” Bomstein recalls. The illusion of the single take was seamless in 2D. “For the 3D version, we needed to go through and ensure that it was equally seamless in terms of the way the 3D is interpreted from the end of one shot to the head of the next. We also had to be mindful in the stereoscopic version that a two-minute scene with so much camera movement can get to cause fatigue if the amount of depth changes as quickly and too frequently.”
Viewer sin 3D also benefit from the effect of having the occasional element – blood spatter, a hand, or a sword, for example – reaching outside the top masking, so they appear to jump right out of the screen. “It’s just one of those added visual effects that you really can’t do in 2D,” Bomstein notes.
The color grading for the film was done by Stefan Sonnenfeld, Sr. Colorist / CEO of company, Company 3.
Guardians of the Galaxy Vol. 3,starring Chris Pratt, Bradley Cooper, Zoe Saldaña and Pom Klementieff, is a Marvel Studios Film released by Walt Disney Motion Pictures. See it in theaters in 3D now.
Stereographer | Jason Bomstein
Sr. Stereo VFX Producer | Ryan Fisk
Color | Company 3
Colorist | Stefan Sonnenfeld
Alvaro: Reignition | Free Fire Tales
Get ready to be swept away into the mesmerizing realm of Free Fire with the highly anticipated animated film, "Alvaro: Reignition | Free Fire Tales," now available on YouTube. The film takes audiences on a gripping journey that explores the origins of the beloved character Alvaro. The film reveals the challenges he faced in his past and his subsequent transformation into a hero driven by redemption. Packed with adrenaline-fueled action sequences, emotional depth, and unexpected twists, this animation brings the immersive world of Free Fire to the screen like never before. Fans and newcomers alike will be captivated by the rich narrative and engaging characters as they witness Alvaro's extraordinary evolution. This extraordinary production showcases the exceptional VFX skills of the SDFX Studios' team.
A Creative Collaboration
This Animated film boasts a talented team behind the scenes, including co-director Ethan Hurd, who has lent his visionary storytelling abilities to bring this animated film to life. Creative Supervisor Marcelo Vignali, renowned for his artistic vision, adds an extra layer of creativity and depth to the project. The film's executive producers, Salvy Maleki, Aaron Parry, and Stephen Gallop, have provided invaluable guidance and support throughout the production process. With Alisha Vander Ahe as line producer, Maria Ximena Lozano H. as supervising producer, and James Hathcock as post-producer, the film benefits from a wealth of experience in delivering high-quality animated content.
Visual Marvels: SDFX Studios' Expertise
SDFX Studios, with its renowned expertise in visual effects, has played a pivotal role in bringing "Alvaro: Reignition | Free Fire Tales" to life. The teams in Toronto, Los Angeles, and Pune have contributed their exceptional VFX skills, creating a visually stunning experience that immerses viewers in the Free Fire universe. CG supervisors Kenny Kuang and Mark Ainslie have ensured that the animation seamlessly blends cutting-edge technology and artistic vision, resulting in breathtakingly realistic visuals. The collaboration between SDFX Studios and Garena, the studio behind Free Fire, has yielded an animation that pushes the boundaries of what is possible in the world of gaming-inspired storytelling.
Co-Director | Ethan Hurd
Creative Supervisor | Marcelo Vignali
Executive Producers | Salvy Maleki, Aaron Parry, Stephen Gallop
Supervising Producer | Maria Ximena Lozano H.
Post Producer | James Hathcock
Line Producer | Alisha Vander Ahe
Art Lead | Kyryl Volovik
The two-episode premiere of The Acolyte, a Star Wars Original series, arrives June 4 on Disney+.
The two-episode premiere of The Acolyte, a Star Wars Original series, arrives June 4 on Disney+.
Alvaro: Reignition | Free Fire Tales
Get ready to be swept away into the mesmerizing realm of Free Fire with the highly anticipated animated film, "Alvaro: Reignition | Free Fire Tales," now available on YouTube. The film takes audiences on a gripping journey that explores the origins of the beloved character Alvaro. The film reveals the challenges he faced in his past and his subsequent transformation into a hero driven by redemption. Packed with adrenaline-fueled action sequences, emotional depth, and unexpected twists, this animation brings the immersive world of Free Fire to the screen like never before. Fans and newcomers alike will be captivated by the rich narrative and engaging characters as they witness Alvaro's extraordinary evolution. This extraordinary production showcases the exceptional VFX skills of the SDFX Studios' team.
A Creative Collaboration
This Animated film boasts a talented team behind the scenes, including co-director Ethan Hurd, who has lent his visionary storytelling abilities to bring this animated film to life. Creative Supervisor Marcelo Vignali, renowned for his artistic vision, adds an extra layer of creativity and depth to the project. The film's executive producers, Salvy Maleki, Aaron Parry, and Stephen Gallop, have provided invaluable guidance and support throughout the production process. With Alisha Vander Ahe as line producer, Maria Ximena Lozano H. as supervising producer, and James Hathcock as post-producer, the film benefits from a wealth of experience in delivering high-quality animated content.
Visual Marvels: SDFX Studios' Expertise
SDFX Studios, with its renowned expertise in visual effects, has played a pivotal role in bringing "Alvaro: Reignition | Free Fire Tales" to life. The teams in Toronto, Los Angeles, and Pune have contributed their exceptional VFX skills, creating a visually stunning experience that immerses viewers in the Free Fire universe. CG supervisors Kenny Kuang and Mark Ainslie have ensured that the animation seamlessly blends cutting-edge technology and artistic vision, resulting in breathtakingly realistic visuals. The collaboration between SDFX Studios and Garena, the studio behind Free Fire, has yielded an animation that pushes the boundaries of what is possible in the world of gaming-inspired storytelling.
Alvaro: Reignition | Free Fire Tales
Get ready to be swept away into the mesmerizing realm of Free Fire with the highly anticipated animated film, "Alvaro: Reignition | Free Fire Tales," now available on YouTube. The film takes audiences on a gripping journey that explores the origins of the beloved character Alvaro. The film reveals the challenges he faced in his past and his subsequent transformation into a hero driven by redemption. Packed with adrenaline-fueled action sequences, emotional depth, and unexpected twists, this animation brings the immersive world of Free Fire to the screen like never before. Fans and newcomers alike will be captivated by the rich narrative and engaging characters as they witness Alvaro's extraordinary evolution. This extraordinary production showcases the exceptional VFX skills of the SDFX Studios' team.
A Creative Collaboration
This Animated film boasts a talented team behind the scenes, including co-director Ethan Hurd, who has lent his visionary storytelling abilities to bring this animated film to life. Creative Supervisor Marcelo Vignali, renowned for his artistic vision, adds an extra layer of creativity and depth to the project. The film's executive producers, Salvy Maleki, Aaron Parry, and Stephen Gallop, have provided invaluable guidance and support throughout the production process. With Alisha Vander Ahe as line producer, Maria Ximena Lozano H. as supervising producer, and James Hathcock as post-producer, the film benefits from a wealth of experience in delivering high-quality animated content.
Visual Marvels: SDFX Studios' Expertise
SDFX Studios, with its renowned expertise in visual effects, has played a pivotal role in bringing "Alvaro: Reignition | Free Fire Tales" to life. The teams in Toronto, Los Angeles, and Pune have contributed their exceptional VFX skills, creating a visually stunning experience that immerses viewers in the Free Fire universe. CG supervisors Kenny Kuang and Mark Ainslie have ensured that the animation seamlessly blends cutting-edge technology and artistic vision, resulting in breathtakingly realistic visuals. The collaboration between SDFX Studios and Garena, the studio behind Free Fire, has yielded an animation that pushes the boundaries of what is possible in the world of gaming-inspired storytelling.
Audiences who head out to the newest adventures of Star-Lord, Rocket, Groot, and the rest of the Guardians in stereoscopic 3D know they can count on an enhanced experience. And one aspect that differentiates the 3D version of the Guardians of the Galaxy experience comes from the way outer space is presented. “That vastness can be expressed in 3D in a way it never could be in 2D,” says Lead Stereographer Jason Bomstein of SDFX Studios, which has collaborated with Marvel Studios to deliver the 3D versions of all the Guardians movies.
In a particular section in the James Gunn-directed Guardians of the Galaxy Vol.3, several characters jump from their ship to the region where Orgocorp is headquartered. Surrounding them is the pus-like substance which is part of the location’s atmosphere, bubbling and floating around them. Besides the 3D characteristics that enhances the sense of this gooey substance surrounding everybody, Bomstein explains, “we’re also introducing additional depth to really help push the feeling that space, which is the backdrop of the scene, is a lot vaster than could be represented in 2D. We can push the space very far back, making the distance actually seem more pronounced than it would even if the viewer really was there in that situation. That’s really fun!”
The SDFX Studios teams faced a challenge working on an almost two-minute scene of along a hallway which was the scene of a major fight among numerous characters. Presented as a single take with the camera constantly moving to capture key action moments, the shot was actually comprised of three different shots stitched together. “It’s a really cool scene,” Bomstein recalls. The illusion of the single take was seamless in 2D. “For the 3D version, we needed to go through and ensure that it was equally seamless in terms of the way the 3D is interpreted from the end of one shot to the head of the next. We also had to be mindful in the stereoscopic version that a two-minute scene with so much camera movement can get to cause fatigue if the amount of depth changes as quickly and too frequently.”
Viewer sin 3D also benefit from the effect of having the occasional element – blood spatter, a hand, or a sword, for example – reaching outside the top masking, so they appear to jump right out of the screen. “It’s just one of those added visual effects that you really can’t do in 2D,” Bomstein notes.
The color grading for the film was done by Stefan Sonnenfeld, Sr. Colorist / CEO of company, Company 3.
Guardians of the Galaxy Vol. 3,starring Chris Pratt, Bradley Cooper, Zoe Saldaña and Pom Klementieff, is a Marvel Studios Film released by Walt Disney Motion Pictures. See it in theaters in 3D now.
Audiences who head out to the newest adventures of Star-Lord, Rocket, Groot, and the rest of the Guardians in stereoscopic 3D know they can count on an enhanced experience. And one aspect that differentiates the 3D version of the Guardians of the Galaxy experience comes from the way outer space is presented. “That vastness can be expressed in 3D in a way it never could be in 2D,” says Lead Stereographer Jason Bomstein of SDFX Studios, which has collaborated with Marvel Studios to deliver the 3D versions of all the Guardians movies.
In a particular section in the James Gunn-directed Guardians of the Galaxy Vol.3, several characters jump from their ship to the region where Orgocorp is headquartered. Surrounding them is the pus-like substance which is part of the location’s atmosphere, bubbling and floating around them. Besides the 3D characteristics that enhances the sense of this gooey substance surrounding everybody, Bomstein explains, “we’re also introducing additional depth to really help push the feeling that space, which is the backdrop of the scene, is a lot vaster than could be represented in 2D. We can push the space very far back, making the distance actually seem more pronounced than it would even if the viewer really was there in that situation. That’s really fun!”
The SDFX Studios teams faced a challenge working on an almost two-minute scene of along a hallway which was the scene of a major fight among numerous characters. Presented as a single take with the camera constantly moving to capture key action moments, the shot was actually comprised of three different shots stitched together. “It’s a really cool scene,” Bomstein recalls. The illusion of the single take was seamless in 2D. “For the 3D version, we needed to go through and ensure that it was equally seamless in terms of the way the 3D is interpreted from the end of one shot to the head of the next. We also had to be mindful in the stereoscopic version that a two-minute scene with so much camera movement can get to cause fatigue if the amount of depth changes as quickly and too frequently.”
Viewer sin 3D also benefit from the effect of having the occasional element – blood spatter, a hand, or a sword, for example – reaching outside the top masking, so they appear to jump right out of the screen. “It’s just one of those added visual effects that you really can’t do in 2D,” Bomstein notes.
The color grading for the film was done by Stefan Sonnenfeld, Sr. Colorist / CEO of company, Company 3.
Guardians of the Galaxy Vol. 3,starring Chris Pratt, Bradley Cooper, Zoe Saldaña and Pom Klementieff, is a Marvel Studios Film released by Walt Disney Motion Pictures. See it in theaters in 3D now.